Thursday 24 May 2012

Pedal Notes


As trumpet players we normally learn that ‘bottom c’ is the lowest note in the open position on the harmonic series. It is however the second partial. Pedal ‘c’ is the lowest. Interestingly there is a lot of mystery about this note, how it should be played, which fingering to use etc.

If you find it hard to play the low notes on a trumpet (those notes between bottom c and low f#) with ease and at any dynamic, and if you also find it hard to tongue these notes clearly, then this is mainly caused by over tight lip tension, especially the actual vibrating part of the lips. An easy way to correct this is to learn to relax your lips. Playing pedal c is a very good way of learning to relax the lips and thereby allows them to vibrate in a better way.

Pedal c will at first feel very hard to play. Do not force the note out. Otherwise you are simply defeating the object of the exercise. One of the best ways to learn to play pedal c is to play a bottom ‘a’ on 1+2 then drop the note an octave but play this note on open. This note will sound a pedal ‘a’, in fact you are playing a very flat pedal c, so flat that it is actually and a. This will be easier than to try for the c straight away, which will more often than not sound really flat in pitch. Once you have learnt to play a good ‘pedal a’ on open try to move the pitch up gradually using a very slow glissando up to Bb and then b the finally pedal c. When you lose the vibrations start again from that open position on the pedal a. Learn to agree with the trumpet and thus make improvements rather than fighting it.

The best way to improve something is to always practice something which you can either already play, or something which you find very easy to do. It is not good practice to ‘try’ and play notes you simply can’t play. Always work from something you can do to something you can’t, rather than something you can’t do to something else you can’t do!

Once you can play pedal c correctly then you can work at playing the rest of the pedal notes on the correct fingerings: b on 2, Bb on 1, a on 1+2 and continue down to pedal f# on 1+2+3. What you will find by learning to play these notes correctly is that your high range will improve not because playing low helps directly but because you are improving your lip vibrations and using airspeed more to play these notes. Practice linking your register from pedal c up the range of the instrument. There is a really useful video on you tube which I strongly recommend that you watch in order to understand better the use of pedals.


Legende

Check out my latest recording of Enesco's Legende, the piece is a firm favourite in the trumpet players repertoire!

Legende (1906) is a solo work for trumpet and piano, composed by Georges Enesco. It reflects the impressionistic style of Enesco's teachers Jules Massenet and Gabriel Faure. The title is a homage to Merri Franquin (professor of cornet at the Paris Conservatoire), the trumpeter who it was written for. The piece reflects an important evolution in the development of the trumpet, from a more archaic limited  instrument, to a fully chromatic and soloist instrument.